Play Along Piano

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Baroque

Toccatastruck: Bach meets AC/DC

Julian Strunck

4:16	Est. Play Time
133	Measures
	2,627Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	54	15	8	99%
	40	35	14	8	96%
Violoncello	31	2	10	7	79%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	54	15	8	99%
	40	35	14	8	96%
Violoncello	31	2	10	7	79%

Henry Purcell - Chaconne (Fairy Queen) recorder+guitar realization

Daniel Rubin

5:30	Est. Play Time
112	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		12	0	2	6	100%
Classical Guitar		22	25	4	7	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder		12	0	2	6	100%
Classical Guitar		22	25	4	7	95%

K.466 [Em], Domenico Scarlatti

PreludeAndFugue

5:04	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	3	8	9	99%
		28	22	10	5	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	3	8	9	99%
		28	22	10	5	93%

Chaconne for Two Flutes - Henry Purcell

Petri Sainio

2:07	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

K.380, Domenico Scarlatti

PreludeAndFugue

4:52	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	9	8	8	98%
		28	27	9	8	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	9	8	8	98%
		28	27	9	8	98%

Ombra Fedele Anch'io - Riccardo Broschi (Idaspe)

HoltSkinner

4:23	Est. Play Time
91	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	30	73	7	8	98%
	28	30	4	5	100%
Voice	17	0	6	9	69%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	30	73	7	8	98%
	28	30	4	5	100%
Voice	17	0	6	9	69%

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

BWV248N4 - "Bereite dich, Zion"

edward.maurath

6:40	Est. Play Time
140	Measures
	1,082Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	51	7	5	95%
	22	4	7	5	99%
Bassoon Continuo	22	0	7	5	99%
Oboe d'amore	27	0	10	5	91%
Violini	27	0	10	5	91%
Violoncello Continuo	21	0	6	5	89%
Alto	17	0	6	6	65%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

BWV258N7 "Er ist auf Erden kommen arm"

edward.maurath

3:27	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	20	0	7	6	100%
Harpsichord	20	48	6	6	98%
	21	3	5	5	97%
Fagotto Continuo	21	0	5	5	97%
Oboe d'amore	18	0	5	6	94%
Soprano	10	0	1	5	47%
Bass	15	0	6	4	17%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:10	Est. Play Time
91	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
Violoncello	22	0	5	4	87%
Violin	26	0	11	3	76%
Chalumeaux 1	15	0	4	10	66%
Viola	16	5	4	4	54%
Chalumeaux 2	15	0	3	6	45%

Clarinet Concerto in D Major, Op.55, OW.22

IGitzDiz

10:39	Est. Play Time
136	Measures
	1,519Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
Viola	22	2	8	7	97%
Violoncello e. Basso.	25	1	12	7	95%
Clarinetto principale in A/La	31	0	13	10	75%
2 Corni in A/La	11	5	2	7	26%
2 Oboi	10	2	3	7	24%